Thus, by establishing these semiprecious stones in the respective directions and activating them with the proper chanting, the vastu or the premises get the required light rays through the stones, the required sound waves through the chanting, the required waves and vibrations from the symbols, chanting and metals. This completely purifies and enhances the energies in that particular structure.
This entire process is termed as Digbandhan. By this process, all the nine directions receive the adequate and correct waves and vibrations of all the nine planets. This can also be achieved by using metals instead of the semiprecious stones. Metals have their own frequency of vibration and if matched with each direction, a beautiful resonance can be achieved, which is the result of a tremendous amount of positive energy.
The order, day and time to bury each and every metal to the respective direction is also different and well defined as per astrology. As North is considered to be a source direction and its characteristics match to those of moon or Guru zinc must be buried along with a moti to North. Similarly as South is the sink direction and its characteristics match to those of Shani, one must bury Lead i.e. the defined metal of Shani to South. East also being one of the source directions we have to bury copper which is a good conductor as well in the East direction. Similarly we bury bronze to the west direction. The central portion commonly known as the “Brahma-Sthan” we bury gold in the central zone.
Thus, in this way we can completely attain a changeover of energies in an already constructed building or a plot. The persistent and prevalent negative energies can be completely eliminated and the Vastu or the premises is filled with positive energies. This results in a completely problem free and tension free environment. Thus problems related to finances or health can also be completely eliminated by this process in an already existing flat, plot or a bungalow. This process is effective for all kinds of constructions or empty plots as well.
The chanting of mantra is the most important part in this entire process. Without the chanting, the yantra does not become siddha or functional.
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